Driscoll Babcock Galleries
Writing And Editing, 525 W 25th St, , New York, NEW YORK, 10001, United States, 1-10 Employees
Phone Number: +17*********
Who is DRISCOLL BABCOCK GALLERIES
Driscoll Babcocks program celebrates the dialogue between the past and the present - showing contemporary artists whose work is grounded in the history of art, yet engaged with the most p...
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- Headquarters: 525 W 25th St, NEW YORK, New York, 10001, United States
- Date Founded: 1852
- Employees: 1-10
- Revenue: $5 Million to $10 Million
- Active Tech Stack: See technologies
Industry: Writing and Editing
SIC Code: 5999 | NAICS Code: 332313 | Show More
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Frequently Asked Questions Regarding Driscoll Babcock Galleries
Answer: Driscoll Babcock Galleries's headquarters are located at 525 W 25th St, , New York, NEW YORK, 10001, United States
Answer: Driscoll Babcock Galleries's phone number is +17*********
Answer: Driscoll Babcock Galleries's official website is https://driscollbabcock.com
Answer: Driscoll Babcock Galleries's revenue is $5 Million to $10 Million
Answer: Driscoll Babcock Galleries's SIC: 5999
Answer: Driscoll Babcock Galleries's NAICS: 332313
Answer: Driscoll Babcock Galleries has 1-10 employees
Answer: Driscoll Babcock Galleries is in Writing and Editing
Answer: Driscoll Babcock Galleries contact info: Phone number: +17********* Website: https://driscollbabcock.com
Answer: Driscoll Babcocks program celebrates the dialogue between the past and the present - showing contemporary artists whose work is grounded in the history of art, yet engaged with the most pertinent issues of today, as well as selections from three centuries of historical American art. As New Yorks oldest art gallery, Driscoll Babcocks 165 year history makes it one of the oldest cultural institutions in New York City. The gallery has shown some of the most influential artists of the 19th and 20th centuries - during their lifetimes - including George Inness, Winslow Homer, and Marsden Hartley. During the 20th and 21st centuries, the gallery has continued to present masterpieces by Milton Avery, Robert Duncanson, Arthur Dove, Stuart Davis, and Franz Kline, to name a few, and place these works in prominent institutions such as the National Gallery of Art, the Metropolitan Museum of Art, Cleveland Museum of Art, Smithsonian American Art Museum, as well as important private collections throughout the world. Driscoll Babcock emphasizes that classic art can have contemporary significance and that contemporary art can have classic pertinence.
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