Degenerate Art Ensemble
Performing Arts, 210 Nw Bowdoin Pl, Seattle, Washington, 98107, United States, 51-200 Employees
Who is DEGENERATE ART ENSEMBLE
DAE is a Seattle gem, a well-known and respected export on the international art and music scene, and deeply informed by and influential on the Pacific Northwests cultural landscape. Char...
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Headquarters: 210 Nw Bowdoin Pl, Seattle, Washington, 98107, United States
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Date Founded: 1999
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Employees: 51-200
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Revenue: Under $1 Million
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Active Tech Stack: See technologies
Industry: Performing Arts
SIC Code: 7922
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Frequently Asked Questions Regarding Degenerate Art Ensemble
Answer: Degenerate Art Ensemble's headquarters are located at 210 Nw Bowdoin Pl, Seattle, Washington, 98107, United States
Answer: Degenerate Art Ensemble's official website is https://degenerateartensemble.com
Answer: Degenerate Art Ensemble's revenue is Under $1 Million
Answer: Degenerate Art Ensemble's SIC: 7922
Answer: Degenerate Art Ensemble has 51-200 employees
Answer: Degenerate Art Ensemble is in Performing Arts
Answer: Degenerate Art Ensemble contact info: Phone number: Website: https://degenerateartensemble.com
Answer: DAE is a Seattle gem, a well-known and respected export on the international art and music scene, and deeply informed by and influential on the Pacific Northwests cultural landscape. Characterized by strong artistic leadership, collaboration and co-composition, a brain trust of extraordinary talents from the art, music, dance, and circus worlds, and a shifting membership based on project-based temporary alliances, DAE can transform from a dance company to a punk/jazz quintet to a large orchestra, depending on the configuration that offers the best match for creative circumstance. DAE has explored sound, dance, stagecraft, film scoring, recording, sculpture and painting in more than 100 original performative works and nine commercial music recordings. New DAE works have been commissioned by On the Boards, Commissioning Music USA and the Aaron Copeland Fund. It has been awarded artist residencies at the New Museum, New York City, and The Watermill Center: A Laboratory for Performance.
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